Difficult to do justice to this magnificent tree in a photograph as it's not possible to stand at a sufficient distance from it to capture all its grandeur.
It took me considerable time over the summer to find a way properly to connect with this Douglas Fir. And by properly I mean adequately, to do it justice.
I am in awe of its size - height and girth - and of the beauty of its bark, the latter of which initially led me to considering exploring the bark texture using clay in some way. The danger, of course, was that this would be too close to what I'm seeking to do with the Redwood Imprints (The Redwood). I also felt that introducing a 'foreign' material would do neither the material nor this particular tree proper justice (powerful though clay can be).
I forgot to mention that as I have passed beneath the Douglas Fir over the years I have loved the pine cones that are scattered over a huge radius beneath it. So, one day, the solution seemed so obvious: do something with the pine cones ...
So:
The tree |
And the fir cones |
After the first session |
After the second session, with the cones from slightly further out; cones now reaching right up to the fence and the beginnings of a meaningful shape/flow forming on the ground |
And this is how it's looking at the moment; Nature playing its Autumn hand! I shall clear the leaves once we've moved a little closer to winter and pick up where I left off. Lots more Douglas Fir cones freshly blown down by the recent strong winds ...
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