Some images of the two most recently completed Möbius forms, shown at a recent studio exhibition and a subsequent website photo shoot.
They constitute the beginning of my exploration of the Vertical, having previously been more inclined to indulge my affinity with the horizontal sculptural gesture, which has in the past come more naturally to me, having grown up on the Belgian coast: wide horizons the backdrop of a quietening flat landscape.
This "Towards the Heavens" Series represents an open road to exploring Verticality, as my Instagram posts of 10 and 16 March 2021 illustrate:
For me, the vertical is about a sense of elevation. Building up the clay in an upward gesture brings me that sense of elevation, from the Earthly to the Universal.My sense of Universality is awakened, a sense of being part of a bigger whole. Whatever happens in the Earthly, there is, and we are part of, a bigger picture.
I like the thought that we are part of something bigger, universal, all-encompassing.
And it has a poignancy for me that is heightened at this present time.
and
... a quote from David Anfam (Clyfford Still Museum) which I came across during my search into verticality and - consequently - horizontality and (subsequently) universality: "Notions of vertical and horizontal are deeply embedded in our DNA ... and we naturally associate the vertical with life itself. The horizontal equates with the horizon and thus a dissolution of our verticality into an inchoate or entropic space." (personally not convinced about the 'inchoate / entropic' connection).
So, let's see where this Series takes me ...
Towards the Heavens 1
48 x 15 x 14 cm
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