I'm increasingly interested in a more moveable, adaptable approach to present a piece, so, for instance, it could be suspended (as below), hung up on the wall (for the more two-dimensional pieces), or simply placed on an available surface or on a prepared, pre-determined surface. The piece isn't 'fixed' in any way, so can be moved around, displayed in different ways to suit the environment, the intention or the mood. With the potential of being ever-changing, always slightly different, if indeed that is what is desired.
And the same for one my 'painted sculptures'; a less visible mode of suspension, giving a sense of it floating in mid air:
I'm still in no hurry to exhibit: it allows me to focus on developing work and re-evaluate how and where I want to show my work in the future. A new kiln, expected to arrive at the end of January, will also bring new progressions, developments and perspectives.
